Later, Pink arrived in Paris to demonstrate his skills, and that's when they first started talking about the French manicure. European women immediately appreciated the advantage of a jacket before other types of painting on nails. The French looked equally good against the background of both an evening dress and a sports suit. In addition, the French manicure "rejuvenates" the hands, makes them beautiful and well-groomed.
Of course, Jeff Pink could not foresee the stunning success of his technology, when the fashion included the build-up of artificial nails with the help of gels and acrylics. Since then, masters have begun to develop building technologies, competing with each other in shades of acrylics and gels that would maximally favorably emphasize the dazzling whiteness of the tip of the nail.
If the madam by nature has a short nail bed, the ugly form of the nail itself (which, by the way, is not uncommon) - drawing a jacket with varnishes or paints is quite problematic. That is, of course, you can draw a "smile", but it will look, to put it mildly, not very much. And how to be to those ladies who have fragile or layered natural nails, which is almost impossible to grow to a more or less acceptable length to paint a beautiful white jacket?
Not long ago, when modeling French manicure, the masters had a fairly limited amount of color variations of the gel or acrylic. And, if the client wanted to make a jacket, but she had problem hands, like the ones described above, the master suggested that she build up her usual nail polish. Because the effect of modeling would be a little better than painting with paints or varnishes.
But now there are many camouflaging acrylic and gel powders, with which you can create a charming white jacket on any, even the most problematic hand. The advantage of building a jacket with gel and acrylic is obvious. The material (gel or acrylic) is laid slightly lower or flush with the free edge of the nail, and the master forms a pre-specified depth of the "smile". It can be both a classic French jacket and a competitive one, with higher "antennae". It can be triangular, square, beveled, - any fancy jacket. With camouflage material, everything is possible. "Camouflage" can even be selected in the tone of the client's skin, mixing in individual proportions materials.
If you ever build up your usual jacket, then about a week later you should have noticed a grayish strip along the "smile" line. Of course, this is not very beautiful. The line can be accurately sketched with some pattern, you can cover your nails with varnish, but then you lose what you were building for - a white jacket. Modeling a jacket with the use of camouflaging powders radically changes the matter. You will not only forget about the unpleasant gray strip, but you can also make the smile line "rise" much less often, which will save time and money.
Simulation of the jacket can be carried out both on paper forms and on tips. By the way, now there are such tipsy that do not only strike a bright white color, but also the shape and depth of the "smile" line, which will greatly facilitate the work of beginning masters. A skilled master will do so that no one can determine what kind of build-up - on tips, or forms.