Your key to transfiguration is observance of the golden correction rule: "unfavorable" areas on the face, those that you want to hide, darken (powder, blush, shadows), and advantages are highlighted with light flickering tones.
So, let's begin. What is your face shape? The ideal face shape of a modern woman is oval or round, with smooth outlines of the forehead, cheekbones, chin and lower jaw, which can be mentally inscribed in the oval. In addition to oval and round, there are six more shapes: square, rectangular, triangular, round, trapezoidal and rhomboid.
Correction of the square type of face is to soften outlines: on the forehead and lower jaw with a large brush is applied a powder of dark tone - this visually lengthens the face. Blush is also better to take dark, they should be applied from the bottom up in the direction from the cheekbones to the temples.
For the round type of the ideal form of the face of modern women are characterized by excessively smooth outlines and weakly expressed chin. From the temple to the lower jaw, apply a powder of bronze shade, and - with light movements, without pressing on the brush. To visually reduce the cheeks, use a neutral or dark rouge. They are applied in the direction from the temples to the corners of the lips so that an elongated triangle is obtained.
The rectangular type of the ideal face shape of a modern woman is distinguished by an elongated chin and a high forehead. To correct it, you need all the same bronze powder. With her help a little darken the forehead (movements - vertical, along the hair growth line) and the lower jaw. Powder of a light shade, too, should be at hand: we will brighten it and thereby visually increase the cheeks. Light blush (possible with a flickering effect) are superimposed on the cheekbones in the shape of an oval and shade horizontally.
The triangular face narrows to the chin. You have to visually expand the face and smooth out the pointed part of the chin. The whole surface of the cheekbones and temples, and then - the chin is powdered with bronze. Blush is applied to the upper part of the cheekbones in the shape of a diamond.
The trapezoid face widens to the chin. The lower part is covered with a dark powder. Rouge blush obliquely from the eyebrows toward the borderline with the hair of the part.
For a lozenge-shaped face, broad cheekbones are characteristic. Their protruding parts should be darkened with a bronze powder, and a lighter shade to process the subclavian cavity and the temporal region. Blush to the ears.
They sorted out your face . The next step is the eyes. Convex - can be corrected with shadows of a deep dark shade, which are applied to the mobile eyelid. Under the eyebrows are superimposed very light tone. It is better to use matte shades.
If you have widely separated eyes, dark shadows should be imposed on the inner part of the century. If close-set - on the outside. The shadows are shone upward, towards the eyebrow line, and the inner corners of the eyes are highlighted. With deep-set eyes, the situation is as follows: we brighten the mobile upper eyelid, and the lightest "shadow" spot should be at its center. It is better to forget about dark shadows.
Lips also often need correction. For example, plump ones can be made thinner by circling them with a liner along the inner side of the edge. Too bright or, conversely, pale, as well as pearly lipstick should not be used, it will only emphasize completeness. Natural tones are more preferable. Thin lips need to be wound around the outer edge of the contour of a natural shade. Lipstick - light, with shine. If the corners of your lip are lowered down, do not paint them with lipstick, but just slightly "lift" with a pencil.
The ideal shape of a modern woman's face is an oval shape. About nasolabial folds should be said separately. They can appear even at a very young age. Often their appearance is associated not with aging of the skin, but with individual features of the structure of the face, an incorrect bite or too active articulation. They can be corrected. To do this, take two tonal bases: one tone-and-a-half lighter than your natural skin tone, the other is identical to it, sometimes half light-colored. First, put directly into the folds themselves, and the second - on the entire area of the folds and thoroughly blend.