List the list of its roles - it's pointless: it takes half a page, and the essence remains unchanged - it's a Character. Whatever the theater actress Vakhtangova, Yulia Rutberg has always played, it seems that she is watching ... the audience. And even knows what emotions cause her roles, words, gestures, looks. She is the prima of the Theater named after Eugene Vakhtangov and the favorite actress of the most famous directors: Vladimir Mirzoyev, Mikhail Kozakov, Gary Chernyakhovsky, Pyotr Fomenko. The roles of Anna Andreevna in the play "Khlestakov" and Secret Ill-Wisdom in "The Queen of Spades" created around her the halo of a characteristic actress. Images in the movie also were born only when she had something to say to the viewer: "Male Character", "Check", "Moscow Windows", "Family Secrets".
Whatever Anatoly Lobotsky performed - for two hours of film dramaturgical and theatrical time, we live a lifetime. The momentary passions, due to his playing in the theater, turned into fatal tragedies (the performances of "Lady Macbeth of Mtsensk," "The Fun of Don Juan", "The Freelancer Krechinsky", etc.), and the role of Andre in the film "The Envy of the Gods" made him popular.
However, the light goes out and there remains that wonderful understatement, which, in fact, caused the appearance of this interview: what do they live outside the screen and the ramp? They are - so carefully concealing their personal, general, life.
The first reference point on their way is a delay. No, no, not on the first date. To the premiere. A number of years ago, the actress of the Vakhtangov Theater, Julia Rutberg, planned to attend the Moscow premiere of the film Envy of the Gods. But she turned and rolled, she did not have time. "Nothing," the actress reassured herself. "I'll look at Kinotavr." She was interested in the new work of Vladimir Menshov, who shoots rarely, but accurately. Although it is traditionally scolded by the whole world, films in any case become events. And it's curious to see an unknown actor who was honored to play the main role in Menshov's role - a French journalist, handsome Andre. This "Mr. X" managed to make his debut in the movie in 42 (!) Year. About him immediately spoke Moscow. As the artist Lobotsky looks, Julia did not know. Therefore, forever confused him with the actor Andrei Martynov. And after all, the bad luck - on the "Kinotavr" premiere the actress again missed - overslept.
Fate will reduce them later, in the "We Play Strinberg-Blues" Mikhail Kozakov. And then life itself will dictate the way in which they, adults, who have fully received portions of their own mistakes and disappointments, will decide to go together.
Will be based on farewells - this is their second reference point. It was necessary to survive, to live the past, to leave it behind. Yulia has 10 years of family life with rock musician Alexei Kortnev, leader of the group "The Accident", a loud divorce, the sudden marriage of the former spouse to a well-known gymnast.
"When people get divorced, do not look for a reason in one of them. Both sides are guilty, so they are right. Therefore, no matter how I was provoked, - says Julia Rutberg, - in life I will not say anything about Alyosha's bad word. I consider him a brilliant musician and a very strong person. Sincerely I wish Lesha happiness, otherwise it can not be. After all, we lived together for many years. There was a time - they loved each other very much. I hope that today he lives with a man who is really dear to him.
Alyosha would hardly have decided to take such a step without first having considered anything. We parted friends, and it's foolish to wish him eternal loneliness and such a rubbish. The less irritants and negative in life, the better. Therefore, do not waste emotions on anger and revenge. They should be given only to love their neighbor.
Certainly, after certain events Tolya Lobotsky and I had some problems with former wives and husbands, but they are unlikely to be of interest to outsiders. The main thing is that we have normal relations between all of us. There is no sense of guilt for the past. But there is a full realization that, if Lobotsky and I have a good time together, it means that we, in turn, must act so that no one hurts. "
Anatoly has his own story: an early marriage at age 19, a son who is now a little younger than his father. However, Tolya's questions about the past are sparingly and discreetly answered:
"Suppose I let myself in any revelations. But this interview will be read by my former wives, children, or women whom I used to be with. And everyone will immediately extrapolate all this to themselves and think: "Fur-tree-stick, and not me he meant at this moment?" Therefore, I do not want to talk about such topics. "
At the third mark of their life scale, they agreed - work, you know. In it, they - burn and dissolve, fade and reborn. The theater is their element. Julia Rutberg, eccentric, like a broken line, always embodies psychologically paradoxical images. Anatoly Lobotsky also knows how to play not only the origin of feelings, but also his subtle nuances of development. Although here's a paradox - Tolya made his debut on the movie screen late:
"I was actively engaged in the Mayakovsky Theater," says Anatoly. - There I was invited by the art director of the course Andrey Goncharov. Each month played up to 30 performances. Though, probably, all business in my late receipt in theatrical (before it I have finished institute of culture). Or maybe the reason is that practically none of the generation of graduates of the 80s, except Dima Pevtsov, was filming in the movie. The names of the other fellow students, alas, will not tell anyone today. But when I talk about my workload at that time, I mean the crowd, because, like any actor, he was involved in all plays, including fairy tales, without exception. "
Lobotsky became prime minister, and outplayed all conceivable and unthinkable leading roles in Mayakovka. But the extras of the actor did not bother. On the contrary, I enjoyed every step on the stage. And then - a heartbreak:
"One day I took it, and left the theater. And forever ... Left for Holland, I do not know why, why. At the same time he had absolutely no idea what to do in the country of eternal tulips. Went to an empty place. Apparently, there was a severe creative crisis. 10 years of continuous plowing brought not the sweetest fruits. Therefore he jerked, where his eyes are looking. However, after half a year thawed, he weighed everything, thought, and went back to his native theater. They accepted it with pleasure, but they reacted to internal quarrels with understanding. "
The understanding probably brought them closer. Lobotsky lacks the wisdom to react to the emotional spasms of his wife calmly. Therefore, it is doubly good that they not only do not resemble, but also work in different theaters. But the prime minister does not miss his half. Anatoly strictly refers to the works of his wife: just a little - makes a remark. Her husband knows her well, so she never admires it. Although after the premiere will congratulate, praise. He understands what a colossal work it is. Julia, however, is not deceitful, speaks of the creativity of the spouse as follows:
"Whatever character he embodies, he always does it with dignity. I'm never ashamed of him. We several times go to each other for performances. If you love a person, then you trust him. But when you begin to compete in the profession with the man with whom you live, then you must disperse ... Her husband has a brilliant sense of humor. The late Grigory Gorin said that this is his most beloved Antonio of all who were in the play "Plague on both your houses."
Are these relationships high? No, it's normal. For loving hearts. Having found each other, they expanded the common space of friendly intimacy, this became the fourth reference point in the scale of their love - the home as a territory of happiness, general silence, common and different hobbies. When there is no business, and the apartment is quiet, it is doubly remarkable. Tolia reads, Julia teaches the texts. Sometimes they break out into the movies. Sometimes, for a few days, at the dacha, but this is rare. Lobotsky is also an avid winter fisherman. It is charged by nature, from loneliness. He is not a public person, not a fuss, he does not pull the blanket on himself, on the contrary he does everything possible to not attract attention to himself. Julia is also not against silence, but she can not stay alone for long. It happens, however, rarely, when after midnight guests come to them. The hosts perceive uninvited, unexpected friends with joy and pleasure.
The stumbling block of many families - the way of life - they avoided. Well, it's not their point. Julia and Anatoly to "bytovuhe" refer to the maximum ease: anyone who has time, he and bustles. No "Domostroi". Moreover, houses are only early in the morning, and late in the evening. Breakfast - on the run: coffee with milk, yogurt, cottage cheese, cereal soluble. Lunch is at the theater. Although Julia is a big fan of Japanese cuisine. And on his home does not understand all these culinary delights in the form of one hundred and sixty-seven salads. What for?
"I really love cooking soups. And I make all kinds of salads. The main thing is to quickly. Puff for two hours at the stove - not for me. At one time I had enough of my mother's experience. She even managed to feed everyone, even when she was "scoop," when everything was in short supply. At home, the door is constantly open, 50 people gathered for birthdays. I remember how on my anniversary my mother sat without strength, and all for her cheeks weaved her concoction. I decided: in my life this will not happen. "
Another Yulia with Tolya "on you" with a computer. The son of Grisha helps them to master this miracle. By the way, Yulia's relations with him are built on the utmost trust, like that of a brother and sister. Well, in what Julia full of ineptitude, so it is in the art of sewing:
"I remember sewing a nightgown at the school on" housekeeping ". The teacher for a long time could not find the definition of my abilities for needlework. The most insulting thing is that my friend and I sewed shirts according to the same pattern. She got the "Spanish boot", and I have a "Triumphal Arch".
In ordinary life, Julia prefers a sportswear style. The main thing - to understand what you face, and feel comfortable. That's how to create your own style: "Sometimes I just need to wear any thing to feel confident. In the same suit, you can look different. Appearance depends on what mood you have. When the head does not hurt, you are carefree, young. All is well! And then suddenly you will look: "Fathers! Where else for 45 years on the face have taken, where these hunched shoulders, instead of eyes - cracks, ears like an elephant? "
Only in Paris, she can afford to seriously change the wardrobe and long to shop around. And so all purchases are made on the fly. In everyday life, extremely moderate make-up of the actress Vakhtangov Theater Julia Rutberg. True, he likes to experiment with the color of his hair. And adores, adores, adores ... make unexpected gifts. With pleasure he buys clothes for Tolik - sweaters, sweaters, expensive perfumes. From any trips he brings his favorite cigarettes. He presents her figures of camels, which Julia has long and passionately collects. And the spirits of Kleene. In the course that the wife can not tolerate flowers as a "binding", so the bouquet is presented only from the heart, and only when the soul sings.
But what Julia can not categorically deny herself is in the new shoes and in a taxi ride. She admits that she has such a passion from her mother. The actress has an incredible amount of shoes, nevertheless, she can not pass by a good boutique. And then with a new box, yes in a taxi. She can rest easy all day, but the subway in life will not come down.
They can not save together with her husband. And they do not try. If something really hurts - lend, and buy. We must live as long as we live. But in a flat cake they will break up, they will work like convicts, but they will solve the problems of children, parents, if any. This is one more, the fifth mark in the scale of life values of the actress of the theater Vakhtangova, Julia Rutberg.
Several years ago , Julia's father, Ilya Grigorievich, became seriously ill. It took expensive treatment. The daughter who worries the pope did everything to alleviate his suffering. Agreed on all proposals without exception. I went to the dark room, where the viewer categorically did not understand her poetic performance. The yellow press with jackals joyfully caught on the prey - a fried fact. And let's get rid of each other, who will hit harder: both the "hack" and "bezard", and "booed", and "left the stage to the sound of their own heels." Of course, Rutberg knew perfectly well that she was not going exactly to her audience, but her father was very ill ... In this life she adores and unquestioningly obeys exactly three of her men: father, husband, son. Well, yes, nothing - stood firm. Over time, the soul's pain subsided. And the main thing - to the daddy it became easier.
"I do not belong to those individuals who, after hitting the right cheek, substitute the left. I go the other way - I stop all communication with such people. And immediately let me know that I'm not going to forgive anyone. Rather, I can forgive, but I can not forget. How to deal with those who are not trying to hide envy and anger? Yes, Lord, look for the root of the problems in yourself! If a person is a scoundrel, then he is a scoundrel. If he committed treachery, why wait in silence for the second time? It is better to immediately explain and stop talking to him. There are people with whom I have not spoken for a long time.
I'm not strong and not weak . Once she put on herself the mask of an "impenetrable lady", defending herself against the far from simple and successful fate of a female actress. And from now on I want my face to reflect only what lives and what the soul rejoices. I've changed a lot lately. The profession requires fun to play and beautifully deceive the audience. But the house, family, friends are one thing. Theater, work - quite another. And I've long plaited all these faces in one pigtail. Now, thank God, I stopped, looked around, changed my mind and rebuilt. "
Simply the reference points on which any measurement scale is based are lined up. The boiling point of passions and freezing of the heart - have already been passed. All that is now called the Rutberg-Lobotsky couple is formed, compressed, lined up.
"Sometimes, it seems," says Julia, "that the Lord Himself presented me with such a fantastic gift. Today, I can hardly imagine how all these years I lived without Tolia. I'm not trying to compare him to any of my ex-men - it's pointless. Probably, earlier with Julia Rutberg, too, there was some very good, but quite a different story. But we would have been frightened of him then, we were lost, we would have lost much. They would suffer without each other. For all that, we are completely different people. Probably, this is the charm of the relationship, when at a certain crucial moment different personalities intersect and turn into communicating vessels. "